Panasonic Lumix DMC-TZ10 / ZS7 review

Posted by admin on August 15, 2010 Leave a comment Go to comments

New to the Lumix TZ10 / ZS7 are manual control over exposures, improved image stabilisation and, the ultimate travel companion, a built-in GPS receiver to pinpoint the locations of your shots and ensure the clock is always telling the right time; the camera even includes a database of over half a million landmarks allowing you to identify many of your photos. There’s also an inevitable boost in resolution, this time to 12.1 Megapixels (effective). The core premise of its predecessors remains the same though: packing a flexible super-zoom lens range into a pocketable compact camera.
Fantasy Panasonic TZ10 video converter

The headline feature of the Lumix TZ10 / ZS7 remains its broad optical zoom range, and despite sharing the same lens as its predecessor, its impact remains undiminished. The TZ10 / ZS7 boasts a 12x zoom range taking you from an ultra-wide equivalent of 25mm to a serious telephoto equivalent of 300mm, allowing you to capture expansive landscapes, cramped interiors or big group-shots at one moment, before zooming-in to grab distant detail in the next. It’s a powerful and compelling range to have at your disposal in a pocketable camera.

Article from: http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ10_ZS7/

Fantasy Panasonic ZS7 Video Converter

Reviews: Externally at least the Lumix TZ10 is virtually identical to the ZS7. This is no bad thing because Panasonic got the ergonomics pretty much right with the previous model, and the few changes for the TZ10’s design are only slight improvements. The strong all-metal body is exactly the same size and nearly the same shape, although the small handgrip is a different and slightly more comfortable shape and the controls on the top panel have been rearranged. The mode dial, which I criticised for being too loose, has been stiffened up and now turns with a firm click. The only outward signs of the changes within are the raised hump on the top panel that presumably houses the GPS satellite antenna, and a few extra notches on the mode dial. The rear panel also now has an extra button that enables adjustment of exposure parameters in the manual exposure modes.